I’ll never forget the day I decided to take up blues harmonica. I was 18 years old, doing a crappy internship in a run-down part of the most boring town in England, and I decided to go shopping for music in my lunch hour. My InterpretationHe isnt quite ready to leave his life, so when he dies he decides to stick around his lake as a ghost. I can’t remember where I found the CD, but I do remember it just jumped right out of the shelf at me: Blue Skies, by some soulful-looking fellow named Muddy Waters. I don’t recall the first listening per se, and yet I know exactly how it must have felt, because this bellowing, ball-tightening number still sends giant surges of electricity down the ole tendons. With Muddy on vocals, Willie Big Eyes Smith on drums, Bob Margolin on guitar and Johnny Winter on slide, the track’s signature riff has James Cotton on harp. I’d never heard of James Cotton, but that electric riff came shredding through my earphones like demonic buzz-saws being shot outta Satan’s crossbow.Īs I later learned, this was a compilation comprising tracks from the three smoking studio albums Muddy Waters cut with Blues Sky records: Hard Again (with James Cotton), I’m Ready (with Big Walter Horton and Jerry Portnoy) and King Bee (with Portnoy). It also featured two live tracks from Muddy “Mississippi” Waters – Live. So basically, the first straight blues album I bought featured three of the best blues harpers you could expect to find in a studio in the mid-70s. I didn’t know it, but I’d just purchased a blues harmonica master class. Songs similar to The Ghost On The Shore by Lord Huron, such as Riptide by Vance Joy, Another Story by The Head and the Heart, Down In The Valley by The Head. You play as Riley, a young woman who finds herself stranded on a desolate island with a headstrong ghost, dead for as long as he can remember.Īs you explore the crumbling homes of the vanished islanders and discover their belongings, you get to know the ghost Josh.Rarely does a single compilation cover so vast an array of skills and techniques in blues harmonica. Features Exploration and Environmental Storytelling Making irrevocable choices in dialogue you shape the bond with him, which ultimately influences the outcome of the game.Īs Riley puts it all together, she comes to understand how an island’s history led to Josh’ death. You explore the beautiful scenery of The Rogue Islands on foot. As you do, you talk to Josh about the history of the islands, his memories, his feelings, but also about Riley’s dreams and goals, and why she’s running from her old life. As a team, you and Josh discover the old islanders’ belongings and uncover the stories behind them. Which creates a specific sense of what life was like on these islands before people started leaving. Immersive DialogueĪ unique feature that allows the player to make choices in a subtle immersive way. The Ghost On the Shore Lyrics by Lord Huron from the Lonesome Dreams album - including song video, artist biography, translations and more: Im just a man. You don't always know how your words will affect the other. Just like in real life, things can become fun, exciting or plain awkward. Find top songs and albums by Lord Huron, including The Night We Met, The Night We Met (feat. Irrevocable ChoicesĮvery dialogue option is shown only once, which makes your choices definite. The relationship you choose to build with the ghost defines the narrative branch you get to explore. There are four branches with a different ending for each. “I really want to hone in on how nice the dynamic is between Riley and Josh. The environments are simple but coloured in such a gorgeous way that it feels like you’re wandering around an oil painting.” - Checkpoint Sure, they’ve only just met and Josh is inhabiting her body, but they still have time for banter. “It’s well put together and managed to elicit an emotional response from me – even thinking back to that moment with the child laughing sends chills down my spine.
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